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・ Black and White (Wretch 32 album)
・ Black and White America
・ Black and White and Blue
・ Black and White and Dead All Over (film)
・ Black and White Ball
・ Black and White Beauty
・ Black and white bungalow
・ Black and White Café
・ Black and white cookie
・ Black and White Farm Barn
・ Black and white hat symbolism in film
・ Black and White Heart
・ Black and White in a Grey World
・ Black and White in Color
・ Black and White Lodges
Black and White Rag
・ Black and white snapper
・ Black and White Swordsman
・ Black and White Tour
・ Black and White Town
・ Black and white Valentino dress of Julia Roberts
・ Black and white village
・ Black and Yellow
・ Black and yellow mud dauber
・ Black and Yellow Trail
・ Black Andrew Nature Reserve
・ Black Angel
・ Black Angel (1978 film)
・ Black Angel (1980 film)
・ Black Angel (album)


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Black and White Rag : ウィキペディア英語版
Black and White Rag

"Black and White Rag" is a 1908 ragtime composition by George Botsford.
The first known recording of this piece was by Albert Benzler, recorded on Lakeside/U.S.Everlasting Cylinder #380 in June 1911. This recording is somewhat rare (Lakeside/U.S.Everlasting cylinders, though molded celluloid on a wax/fiber core, were made in small batches), and significant. Edison featured the "Black and White Rag" on one of his Early Diamond Disc Records (50116) from 1913 played by a Brass Orchestra.
One of the best-known versions of this piece of music was recorded in 1952 by pianist Winifred Atwell, and helped her to establish an international profile. Originally the B-side of another composition, "Cross Hands Boogie", "Black and White Rag" was championed by the popular disc jockey Jack Jackson, and started a craze for Atwell's honky-tonk style of playing. The recording became a million selling gold record, and in the United Kingdom was later used as the theme tune for the long-running BBC2 television snooker tournament, ''Pot Black''.
"Black and White" Rag was also later arranged for use as the music in the original 1985 BBC Computer game, Repton, and some of its sequels.
The piece has also become a fiddle standard with recordings by musicians such as Johnny Gimble and Bennie Thomasson.
==References==




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